Rhino's double-disc Very Best of Jerry Garcia is arguably exactly that. Warner Bros. Records offered the Grateful Dead the opportunity to cut their own solo records, and Garcia was released around the same time as Bob Weir's Ace and Mickey Hart's Rolling Thunder.Unlike Ace, which was practically a Grateful Dead album, Garcia was more of a solo effort, as Garcia played almost all the instrumental parts. about. Studio albums: 20: Live albums: 52: Compilation albums: 3: Singles: 3: As a guest musician: Jerry Garcia was an American musician. Albums include Garcia, Zabriskie Point, and Virgin Beauty. All albums made by Jerry Garcia with reviews and song lyrics. Released 25 January 2005 on Record Collection (catalog no. What they do not think of, however, are the Grateful Dead’s studio albums. A year later, the Dead managed to outdo Dylan on that front—all from the hustling, bustling comforts of downtown San Francisco. Shop eight volumes of Jerry Garcia Band live music & more! Jerry Garcia Albums. As with nearly all of their studio efforts, none of the magic captured here in 1973 came close to the intensity of the songs’ live iterations, but Wake of the Flood sure made a valiant effort. Everything about Blues for Allah represented a break from the Grateful Dead-as-usual. It’s a shame the Dead didn’t include the same sessions’ takes on gorgeous traditionals “Peggy-O” and “Jack-a-Roe,” because Go to Heaven might’ve had an entirely different and better feel. Kreutzmann later wrote that this album’s underlying concept was to “demonstrate how these songs were mirrors of infinity, even when they adhered to their established arrangements.” And that they did. Jerry Garcia discography and songs: Music profile for Jerry Garcia, born 1 August 1942. On their third studio album, pronounced “ox-oh-mox-oh-ah,” the Dead reached the pinnacle of their psychedelic-tinged experimentation—as the trippy acid-induced cover underscores—with freak-folk acoustic Appalachian folk songs and jagged acid rock tunes that scream peak Haight-Ashbury. Their studio albums, stripped of the improvisations and sonic explorations featured in their live performances, showcase the incredible songwriting of the Jerry Garcia/Robert Hunter and Bob Weir/John Perry Barlow partnerships. Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American singer-songwriter and guitarist, best known for his work as the lead guitarist and as … While their late-’60s rock ‘n’ roll peers avoided “the uncertainty of improvisation,” as Kreutzmann described it, the Dead “decided Anthem of the Sun was going to be our statement on the matter.”, Essential tracks: “Alligator,” “That’s It for the Other One,” and “Caution (Do Not Stop on Tracks).”. In honor of Jerry Garcia’s birthday, The Daily Beast grades perhaps the most underrated aspect of the Grateful Dead’s legacy: their studio albums. Shop for Vinyl, CDs and more from The Jerry Garcia Band at the Discogs Marketplace. Guitarist, singer, and songwriter Jerry Garcia was best known as a founding member of the Grateful Dead, the rock band for which he served as de facto leader for 30 years, Just months before entering their then-indefinite touring hiatus in 1974, the Dead entered the studio and laid down what I would describe as extraterrestrial folk music. While the Grateful Dead’s second album is drugs, pure and simple, you don’t need to trip on LSD to fully experience it. (In fact, the song was performed as the first encore at the Dead’s last-ever show in 1995.) ‘Knock Me Down’ (1989): I felt it was pretty important to include a song from Mother’s Milk as the record showed just how prodigiously talented Frusciante was. Both GARCIA albums and CATS UNDER THE STARS plus JERRY GARCIA BAND (his live double-CD set on Arista Records, now out-of-print) plus any of the electric PURE JERRY CDs are all fine, fine albums. The title track, meanwhile—with its statement of purpose and all—would’ve been a better offering for rock radio, but sadly got overlooked by whoever made such decisions. It eventually went gold. When a casual music listener thinks of the Grateful Dead, they likely think of three things: the marathon live shows; the long and winding improvisations (sigh—yes, “jamming”) that defined those performances; and the cult-like fanbase of stoners, spinners, and tapers who traveled all over the country to take part in those communal concerts. 2, Saunders/Garcia/Kahn/Vitt, 1988 Almost Acoustic, Jerry Garcia Acoustic Band, 1988 Liv… Explore releases from The Jerry Garcia Band at Discogs. This is the closest the Dead came to dabbling in the mid-’70s progressive-rock of Yes or the jazz-fusion of Mahavishnu Orchestra. Meanwhile, on “Ship of Fools,” the band continued the legacy of American Beauty and Workingman’s Dead, offering up arguably one of the greatest folk ballads in their entire catalog. Non-Western time signatures, untraditional chord progressions, and Middle Eastern themes confronted the listener, as the band seemingly eschewed the standard blues or folk melodies that piloted their previous output. 40 years later, the suite holds up as a sublime (and, sure, overblown) documentation of forward-thinking psychedelia. The result is a challenging but immensely rewarding experience, best highlighted by the opening triptych. It's true that there's a bunch of stuff missing here: there are no cuts from Hooteroll? Jerome John "Jerry" Garcia (1 de agosto de 1942 - 9 de agosto de 1995) fue un cantautor y guitarrista estadounidense más conocido por su trabajo como guitarrista y vocalista de la banda Grateful Dead, que ganó prominencia durante la era de la contracultura (1960).Aunque desautorizó el papel, García fue visto por muchos como el líder o "portavoz" del grupo. Lead track “Foolish Heart,” with its rococo keys and “clock”-like (Jerry’s words) mechanics, was the Dead’s lackluster attempt at cracking the Billboard Top 100 a second time, but alas, it failed. Part of what makes a classically great songwriter immediately identifiable is the ease with which their songs can be covered or reworked into a different tempo, swing, or genre altogether. The obvious standout on The Grateful Dead is “Morning Dew,” which is heard here in its primitive stage, shortly before it was crafted into one of the band’s signature live songs with earth-shattering climaxes. 1, Saunders/Garcia/Kahn/Vitt, 1988 Keystone Encores Vol. Genres: Folk Rock, Jam Band, Progressive Bluegrass. In hindsight, the Dead’s final studio album’s title has an ironic twist: The band was no longer built to last. This is stoned and clever folk-rock that is more a forebear of Wilco or Ryan Adams than of the freak-folk stuff like Devendra Banhart or Grizzly Bear. Genres: Jam Band, Roots Rock, Folk Rock. After all, this wasn’t just some group of laid-back country boys playing some rock ‘n’ roll; it was a ragtag group of bearded San Francisco wild-children and space cadets temporarily resettling their minds in the Wild West. It contains Garcia's five solo studio albums, and an additional disc with previously unreleased studio recordings. Where their debut was limited by label demands and studio naiveté, Anthem was where the Dead decided to let their psychedelic freak-flag fly. Much like “Standing on the Moon,” the dirge-like ballad “Black Muddy River,” which closes the Dead’s first and only top 10 album, now feels like a bittersweet farewell letter from Jerry, nearly eight years before he died. Yet while the Dead have become associated with the amorphous, occasional eyeroll-inducing genre of “jam bands”—often synonymous with hacky-sack-toeing frat-house hippies and self-indulgent improvisational Americana-adjacent acts—they were actually just the quintessential American rock ‘n’ roll band. The band recorded studio tracks and then mixed it together with live samples—“for the hallucinations,” as Jerry explained. The key to Workingman’s Dead not being yet another sepia-toned, late-’60s nod at Big Pink is that the Dead managed to keep their unique weirdness intact. The tight Americana songwriting of Workingman’s Dead was further polished with the addition of sublimely confident three-part harmonies that ultimately became responsible for decades of enduring folk-rock artists up to and including modern acts like Fleet Foxes. Find Jerry Garcia discography, albums and singles on AllMusic. The soaring, anthemic chorus—“I will get by / I will survive”—is a timeless rallying cry amid seemingly unending dystopia. ... Jerry Garcia Band (with Keith and Donna Godchaux and Merl Saunders) 28 Feb 1980 : After Midnight : Jerry Garcia Band (with Ozzie Ahlers) Beyond topping Dylan at his own game, American Beauty is a milestone of multiple genres: It’s a folk-rock icon; an alt-country founding father; a funereal blues odyssey; a blueprint for hippie cowboydom. In the 30 years between the band’s first performance at one of Ken Kesey’s acid tests in 1965 to guitarist/singer Jerry Garcia’s death in 1995, they truly ran the gamut. Essential tracks: “Althea,” “Don’t Ease Me In,” and “Alabama Getaway.”. Speaking of Dylan, in 1969 the reclusive bard traveled to Music City to record Nashville Skyline with help from country sessions players and Johnny Cash. Mars Hotel notably served as a vehicle for some of Phil Lesh’s better songs: “Unbroken Chain,” in all its avant-garde synth-folk glory (yes, the airplane-like descending noise is jarring), has to be heard to be believed; and on “Pride of Cucamonga,” Lesh tried his hand at country-rock songwriting and wildly succeeded. But as with all the Dead’s more mediocre studio efforts, the great songs on this record became live staples, all without the slithery and misguided self-indulgence of their studio versions. Amidst the growing counter-culture scene in the San Francisco Bay Area, The Grateful Dead were founded by lead guitarist/vocalist Jerry Garcia, bass player Phil Lesh, rhythm After all, at one time or another, the band has gone on-record saying nearly each studio effort was a disappointment or failed to capture the intensity of their live performances. Drummer Mickey Hart later admitted in reissue liner notes that the album was an open effort by both band and label for the Dead to sell out. Under the heavy influence of Bakersfield icons Merle Haggard and Buck Owens, this was the band trading in their nitrous-filled space suits for some cowboy boots and the great wide country-rock open—the invention of what I like to call “chillbilly” music. The deeply ambitious project and its circus-like studio environment (they recorded the album twice) put the Dead deep into debt with Warner Bros., resulting in tensions ultimately (and perhaps temporarily) solved by the successful release of Live/Dead (the band’s greatest triumph) later that year. Before the Dead were psychedelic space cadets or hippie cowboys, they were a blues-rock band. “Estimated Prophet,” a tripped-out song about a messianic zealot, is one of Bob Weir’s finest vocal turns. Nevertheless, please feel free to yell at me on social media and/or compare this list to the rather engrossing one recently done by BrooklynVegan. First off, any ‘Greatest Guitarists of All Time’ list is pretty much just one (or a few) people’s opinion. Don't Let Go (Orpheum Theatre San Francisco May 21, 1976), Let It Rock: The Jerry Garcia Collection, Volume 2 - Keystone Berkeley, November 17 & 18, 1975, GarciaLive Volume One: March 1st, 1980, Capitol Theatre, GarciaLive Volume Two: August 5th 1990, Greek Theatre, GarciaLive Volume Four: March 22nd 1978, Veteran's Hall, GarciaLive Volume Seven: November 8th 1976, Sophie's, Palo Alto, GarciaLive Volume 11: November 11th 1993 Providence Civic Center, GarciaLive Volume 13: September 16th, 1989 Poplar Creek Music Theatre, All Good Things: Jerry Garcia Studio Sessions, Bands and Artists Who Were Lucky Enough to Have ME in Their Audience at One Time or Another, The perfunctory music I've seen live list, List six bands/artists that you've seen at a gig/concert and one lie. In hindsight, the jangly rhythm and peppy tempo make for an obvious commercial and critical success. He was spot-on. While most of the songs never fully entered the Dead’s live rotation (aside from the legendary “St. Find Jerry Garcia … It is ordered by when the tracks were recorded, rather than the date the album was issued. Garcia Albums This lists albums by Jerry Garcia other than with the Grateful Dead. Each and every member of the Dead shines on that song—from Jerry’s magical wah-wah to the chunky bass to those big fat tom hits—as the song bobs and weaves from its chilly verses to its blissed-out chorus (which cleverly juxtaposes Barlow’s apocalyptically biblical lyrics). But make no mistake, “Touch of Grey” is a fucking fantastic song. All Good Things: Jerry Garcia Studio Sessions is a six-CD box set by Jerry Garcia. The emphasis here was on Americana songwriting, rather than on experimentation or blues vamping, and thus came an album of indelible studio tracks that do actually hold up to and sometimes outshine their live counterparts. Albums. with Howard Wales, or the early Merl Saunders/Garcia Live at Keystone stuff recorded for Fantasy, but it's OK. “We failed miserably,” he joked. Essential tracks: “Casey Jones,” “High Time,” “Dire Wolf,” or just every track—whatever. Recording during their hiatus from exhaustive and expensive touring, the band was set on developing brand-new songs in the studio, and the normally expansive lyricist Robert Hunter settled on writing lyrics on the fly, built around Garcia’s guitar play. But Garcia was in perilous health, and studio recording lapsed after 1980’s Go to Heaven. We are not here to debate the Dead’s greatest album, live or otherwise (that would be Live/Dead); or the best live version of any song like, say, “Dark Star” (that would be 2/18/1971 at the Capitol Theater); or their greatest set ever (undecided, but I might venture to say 8/27/1972 at the County Fairgrounds in Veneta, Oregon). Essential tracks: “Fire on the Mountain,” “I Need a Miracle,” and, sure, the title track. The finely tuned harmonies of “Attics of My Life” make for one of the greatest pensive moments in the Dead’s catalog, while “Brokedown Palace” serves as one of the most heartbreakingly anthemic funeral songs ever written (to my loved ones: please play it at my burial alongside Dylan’s “Every Grain of Sand”). But nothing here compares to the titular song suite, “Terrapin Station Part 1” (there never was a Part 2), a majestic achievement of both progressive folk balladry and orchestral ambitiousness. Essential tracks: “Morning Dew,” “Viola Lee Blues,” and “Cream Puff War.”. Hippie-folk tunes like “Sugar Magnolia” and “Ripple” sound like what most millennials imagine their parents’ hazy, lazy summer memories look like, while “Truckin’” is the quintessential American open-highway song. The gorgeous hymn made for similar messaging in 2017, when Gregg Allman covered it on his final record, recorded while he was well aware he was near-death. The prolific nature of Jerry Garcia is evident in the breadth of albums he released through his musical career. Nevertheless, Built to Last, which was the band’s second attempt at recording a studio album on a theater stage with no audience, sounds cohesive and tight in parts, perhaps aided by the springy but now dated production. Essential tracks: “Terrapin Station Part 1,” “Estimated Prophet,” and “Samson and Delilah.”. This Jerry Garcia discography is ranked from best to worst, so the top Jerry Garcia and Jerry Garcia Band albums can be found at the top of the list. According to fellow Bay Area guitar player Henry Kaiser, Garcia is "the most recorded guitarist in history. Stephen,” “China Cat Sunflower,” and “Cosmic Charlie.”. 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